Description
The StudioLive 32 digital console/recorder is by far the most powerful mixer in its class. The result of nine years of R&D, our third-generation StudioLive mixer is fully recallable, with 33 touch-sensitive, motorized faders and 33 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 32 actually improves upon PreSonus?’ legendary ease of use while letting you customize its workflow and operations to fit the way you work. The coveted StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable in live and studio applications.
Features:
General Controls
- 33 touch-sensitive, motorized faders with choice of: 1-to-1 workflow?assign all channels to the top layer, with one fader per input channel, Split-layer workflow?split the faders between inputs and outputs, including DCAs and Aux outputs
- RGB Select buttons with user-assignable colors
- Transport control
- 8 user-assignable buttons for mute groups, scenes, and more
- All-new Fat Channel controls including: 8 scribble strips, encoders, and multicolor buttons, Customizable user layer, 7-inch color touchscreen
- DAW control (Studio One, MCU, and HUI) coming soon
- 40 total inputs
- 32 channel inputs: 16 mic, 16 mic/line
- 1 XLR Talkback mic input with recallable XMAX Class A preamp
- 2 stereo Aux inputs
- 16 FlexMix outputs: 12 XLR, 4 balanced TRS
- 4 TRS subgroup outputs
- Unbalanced stereo (RCA) tape input and output
- Bluetooth? 4.1 wireless tape input
- Stereo AES/EBU digital output
- 2 XLR (L/R) Main outputs
- XLR Main summed mono output
- 2 TRS monitor outputs
- Stereo headphone output
- 32 input channels with recallable XMAX Class A mic preamps
- 2 stereo aux inputs
- 26 buses: 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes), 4 dedicated subgroups, 4 internal effects sends, Stereo main bus
- 24 Filter DCAs for easily and flexibly controlling groups of channels
- 1 Ethernet control network port: Dynamic, Self Assigned, and Manual IP address modes
- 1 Ethercon AVB audio network port
- Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017
- Onboard 34×34 SD recorder (using Capture?)
- 38×38 USB recording interface
- 55×55 AVB recording interface
- Intuitive Fat Channel signal processing on every channel with: A/B settings comparison, Highpass filter and polarity reverse, Gate/expander with sidechain, Compressor with sidechain, 4-band parametric EQ on inputs, 6-band parametric EQ on outputs, Limiter, Delay on every input, Delay on every output, Professionally programmed library of presets
- Vintage EQ and compressor models available on every input: Passive EQ, Vintage EQ, Tube compressor, FET compressor
- 8 31-band graphic EQs
- 4 internal effects buses: combination of reverbs and delays with modern and vintage options
- Built-in real-time analyzer and signal generator
- 7-inch color touchscreen
- Input meter on every channel
- Full-size Fat Channel metering: Input meter, Gate gain reduction meter, Compressor gain reduction meter
- Full-size stereo Main output meters
- Create, save, and edit up to 100 scenes
- Scene management with:: Scene Safe?prevents a scene change from affecting designated ?safe? channels
- Create, save, and edit channel settings and copy/paste between channels
- Advanced channel preset options can save and recall: Channel type and name, Input settings (preamp, +48V phantom power, polarity, pan), Fat Channel A & B settings, Bus assignments, Aux and effects send levels and pan, Select button color
- 8 Quick Scenes
- Studio-quality converters with 115 dB dynamic range
- 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)
- UC Surface touch control software for Mac?, Windows?, and iPad?
- Studio One? Professional digital audio workstation software for Mac and Windows
- Capture? multitrack recording software for Mac and Windows
- QMix?-UC aux-control software for iOS? and Android? available free from Apple App Store, Google Play, and Amazon App Store
- Mac? OS X 10.8.5 64-bit or later
- Intel? Core? 2 Duo processor (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)
- Windows? 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
- Intel Core 2 Duo or AMD Athlon? X2 processor (Intel Core i3 or Athlon X4 or faster recommended)
- 4 GB RAM (8 GB or more recommended)
- USB 2.0 port
- Internet connection
- Internal or external 7200 RPM storage drive highly recommended
- 30 GB hard disk space
- Monitor with 1366×768 resolution
- iOS 9.3 or later
- iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2
- Android? 5.0 (Lollipop) or later
- Android smartphone or tablet
- Input Type: XLR Female, balanced
- Frequency Response to Main Output (at unity gain): 20-20 kHz, ?0.5 dBu
- Input Impedance: 1 kO
- THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
- S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
- Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
- Gain Control Range (?1 dB): 0 dB to +60 dB
- Maximum Input Level (unity gain): +12 dBu
- Phantom Power (?2 VDC): 48 VDC, switchable per channel
- Type: ?? TRS Female, balanced
- Frequency Response to Main Output (at unity gain): 20-20 kHz, ?0.5 dBu
- Input Impedance: 10 kO
- THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
- S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
- Maximum Input Level: +18 dBu
- Type: RCA Female, unbalanced (stereo pair)
- Maximum Input Level: +12 dBu, ?0.5 dBu
- Type: XLR Male, balanced
- Maximum Output Level: +24 dBu, ?0.5 dBu
- Output Impedance: 100O
- Type: ?? TRS Female, balanced
- Maximum Output Level: +18 dBu, ?0.5 dBu
- Output Impedance: 100O
- Type: RCA Female, unbalanced (stereo pair)
- Maximum Output Level: +18 dBu, ?0.5 dBu
- Output Impedance: 100O
- Type: ?? TRS Female, active stereo
- Maximum Output: 100 mW/ch. @ 60O load
- Frequency Response: 20 Hz ? 20 kHz (? 0.5 dB)
- THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
- S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
- Input to Output: -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
- Adjacent Channels: -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
- ADC Dynamic Range: 115 dB (A-wtd, 48 kHz)
- DAC Dynamic Range: 115 dB (A-wtd, 48 kHz)
- USB Recording Port: USB 2.0, Type-B
- Bluetooth? Input: 4.1, stereo
- AES/EBU Output: XLR Male
- Network Control Port: RJ-45
- AVB Audio Network Port: Ethercon
- Internal Processing: 32-bit, ?oating point
- Sampling Rate: 48 kHz (44.1 kHz coming soon)
- A/D/A Bit Depth: 24
- Reference Level for 0 dBFS: +18 dBu
- Total System Latency: 1.9 ms (local routing, analog in-analog out, all processing active)
- Jitter: <20 ps RMS (20 Hz - 20 kHz)
- tter Attenuation: >60 dB (1 ns in, 1 ps out)
- Connector: IEC
- Input-Voltage Range: 90 to 230 VAC (?10%)
- Power Requirements (continuous: 85W
- Recommended Ambient Operating Temperature: 0? to 40? Celsius / 32? to 104? Fahrenheit
- Height: 6.51? (165.36 mm)
- Width: 32.37? (822.21 mm)
- Depth: 2.97? (583.48 mm)
- Weight: 37.2 lbs. (16.9 kg)
Inputs and Outputs
Channels and Buses
Networking Connections
Recording
Signal Processing
Metering/Displays
Scenes and Presets
Digital
Actively Integrated Software
Computer system requirements:
Mac
Windows
Mac and Windows Systems
iOS
Android (QMix-UC)
Technical Specifications
Mi?crophone Preamplifier
Line Inputs
Tape Inputs
XLR Outputs
Line Outputs
Tape Outputs
Headphone Output
System Crosstalk
Digital Audio and Control
Clock
Power / Environmental
Physical